Behind the image
AFP Photo / Menahem Kahana
War as spectator sport in the Golan Heights
"It is before dawn on the Golan Heights and a squad of Syrian government troops are engaged in fierce combat with rebels of the Al-Qaeda linked Al-Nusra Front", writes AFP Jerusalem-based photographer Menahem Kahana. "The clashes are taking place just metres from the barbed wire fence that separates the Syrian side of the strategic plateau from the Israeli-held sector. I am watching from an abandoned Israeli army bunker, around 100 metres from the demarcation line. This is war, taking place right before my eyes, and yet it could almost be another world. I am not a target, and none of the fighters cares remotely what is happening on the Israeli side."
"I have the strangest sense of being in a movie theatre."
Above the fold
Wednesday 17 September 2014 - Decoding
Faced with the kidnap and murder of journalists in Syria, Iraq and Africa, and the flood of horrific propaganda images spewed out by the "Islamic State" group and its offshoots, it is time to reaffirm some ethical and editorial groundrules.
Our challenge is to strike a balance between our duty to inform the public, the need to keep our reporters safe, our concern for the dignity of victims being paraded by extremists, and the need to avoid being used as a vehicle for hateful, ultraviolent propaganda.
AFP's Global News Director Michèle Léridon explains what the events of recent months have changed in the work environment of a global news agency such as AFP, and how we have responded.
(AFP Photo / HO / Site Intelligence Group)
Wednesday 10 September 2014 - Eye witness
"Over the course of one year, I have received three letters from Anders Behring Breivik", writes AFP's correspondent in Oslo Pierre Henry-Deshayes. "A quick glance at the envelope is enough to identify the sender. The neat, clean handwriting in block letters is impossible to mistake for anyone else’s. It makes my blood freeze."
Then comes a fundamental question: Should AFP disseminate the contents or not? Obviously, in this type of situation journalists run the risk of being used and abused. On the other hand, people want to know how peaceful Norway could give rise to such a monster. They want to know what that monster is made of.
(AFP Photo / Pierre-Henry Deshayes)
Wednesday 3 September 2014 - Eye witness
"At 4:00am in an Ebola hot zone -- when you feel flushed, a little run-down and itchy from the prickly rash developing on your ankle -- paranoia can creep in. Did that kid touch me on the arm? Did that old guy who was spitting everywhere look sick? Did I touch my face before washing my hands after that interview? Is this a headache coming on? Is this a fever?"
Dakar-based reporter Frankie Taggart reports from Kailahun, in Eastern Sierra Leone, one of the worst-hit zones in an epidemic which has killed more than 1,500 people across west Africa.
(AFP Photo / Carl de Souza)
Tuesday 19 August 2014 -
Hong Kong-based AFP editor Anuj Chopra recently returned from a reporting mission to Afghanistan. In a heavily male-dominated culture, one of his biggest challenges was trying to find women to talk to for his stories.
Friday 18 July 2014 - Behind the image
AFP Johannesburg photographer Marco Longari visited Rwanda prisons in 2001, where he photographed some of the nation’s suspected “genocidaires”, accused of taking part in the 1994 massacres. It is only now that he is able to publish his images.
Wednesday 16 July 2014 - Eye witness
What happens when too many journalists are trying to nab the same information at the same time? AFP's Roland de Courson gives an insight into the media scrum.
(AFP Photo/Joe Klamar)
Wednesday 16 July 2014 - Eye witness
AFP Tokyo reporter Alastair Himmer tried to interview a robot. The robot apparently had other plans.
Thursday 10 July 2014 - Eye witness
"As a Uruguayan, it was deeply painful to see our team lose its talisman, the explosive striker who had battled back from knee surgery to restore a glimmer of our little country's faded football glory," writes AFP's chief editor for Latin America, Maria Lorente.
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